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\title{Peter Pan in Kensington Gardens}

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\title{Peter Pan in Kensington Gardens}


\author{James Matthew Barrie}

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\noindent This public-domain (U.S.) text was scanned and proofed by
Ron Burkey. The Project Gutenberg edition (designated {}``ppikg10'')
was converted to \LaTeX{} using \textbf{GutenMark} software and re-edited
using \textbf{lyx} software. Report problems to info@sandroid.org.
Revision B1 differs from B in that {}``----'' has everywhere been
replaced by {}``---''.

\noindent \begin{center}Reference: B1\\
Date: 01/29/2008\end{center}

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\chapter*{\raggedright Peter Pan}

\addcontentsline{toc}{chapter}{Peter Pan}

\markboth{Peter Pan in Kensington Gardens}{Peter Pan}

If you ask your mother whether she knew about Peter Pan when she was
a little girl she will say, {}``Why, of course, I did, child,''
and if you ask her whether he rode on a goat in those days she will
say, {}``What a foolish question to ask, certainly he did.'' Then
if you ask your grandmother whether she knew about Peter Pan when
she was a girl, she also says, {}``Why, of course, I did, child,''
but if you ask her whether he rode on a goat in those days, she says
she never heard of his having a goat. Perhaps she has forgotten, just
as she sometimes forgets your name and calls you Mildred, which is
your mother's name. Still, she could hardly forget such an important
thing as the goat. Therefore there was no goat when your grandmother
was a little girl. This shows that, in telling the story of Peter
Pan, to begin with the goat (as most people do) is as silly as to
put on your jacket before your vest.

Of course, it also shows that Peter is ever so old, but he is really
always the same age, so that does not matter in the least. His age
is one week, and though he was born so long ago he has never had a
birthday, nor is there the slightest chance of his ever having one.
The reason is that he escaped from being a human when he was seven
days old; he escaped by the window and flew back to the Kensington
Gardens.

If you think he was the only baby who ever wanted to escape, it shows
how completely you have forgotten your own young days. When David
heard this story first he was quite certain that he had never tried
to escape, but I told him to think back hard, pressing his hands to
his temples, and when he had done this hard, and even harder, he distinctly
remembered a youthful desire to return to the tree-tops, and with
that memory came others, as that he had lain in bed planning to escape
as soon as his mother was asleep, and how she had once caught him
half-way up the chimney. All children could have such recollections
if they would press their hands hard to their temples, for, having
been birds before they were human, they are naturally a little wild
during the first few weeks, and very itchy at the shoulders, where
their wings used to be. So David tells me.

I ought to mention here that the following is our way with a story:
First, I tell it to him, and then he tells it to me, the understanding
being that it is quite a different story; and then I retell it with
his additions, and so we go on until no one could say whether it is
more his story or mine. In this story of Peter Pan, for instance,
the bald narrative and most of the moral reflections are mine, though
not all, for this boy can be a stern moralist, but the interesting
bits about the ways and customs of babies in the bird-stage are mostly
reminiscences of David's, recalled by pressing his hands to his temples
and thinking hard.

Well, Peter Pan got out by the window, which had no bars. Standing
on the ledge he could see trees far away, which were doubtless the
Kensington Gardens, and the moment he saw them he entirely forgot
that he was now a little boy in a nightgown, and away he flew, right
over the houses to the Gardens. It is wonderful that he could fly
without wings, but the place itched tremendously, and, perhaps we
could all fly if we were as dead-confident-sure of our capacity to
do it as was bold Peter Pan that evening.

He alighted gaily on the open sward, between the Baby's Palace and
the Serpentine, and the first thing he did was to lie on his back
and kick. He was quite unaware already that he had ever been human,
and thought he was a bird, even in appearance, just the same as in
his early days, and when he tried to catch a fly he did not understand
that the reason he missed it was because he had attempted to seize
it with his hand, which, of course, a bird never does. He saw, however,
that it must be past Lock-out Time, for there were a good many fairies
about, all too busy to notice him; they were getting breakfast ready,
milking their cows, drawing water, and so on, and the sight of the
water-pails made him thirsty, so he flew over to the Round Pond to
have a drink. He stooped, and dipped his beak in the pond; he thought
it was his beak, but, of course, it was only his nose, and, therefore,
very little water came up, and that not so refreshing as usual, so
next he tried a puddle, and he fell flop into it. When a real bird
falls in flop, he spreads out his feathers and pecks them dry, but
Peter could not remember what was the thing to do, and he decided,
rather sulkily, to go to sleep on the weeping beech in the Baby Walk.

At first he found some difficulty in balancing himself on a branch,
but presently he remembered the way, and fell asleep. He awoke long
before morning, shivering, and saying to himself, {}``I never was
out in such a cold night;'' he had really been out in colder nights
when he was a bird, but, of course, as everybody knows, what seems
a warm night to a bird is a cold night to a boy in a nightgown. Peter
also felt strangely uncomfortable, as if his head was stuffy, he heard
loud noises that made him look round sharply, though they were really
himself sneezing. There was something he wanted very much, but, though
he knew he wanted it, he could not think what it was. What he wanted
so much was his mother to blow his nose, but that never struck him,
so he decided to appeal to the fairies for enlightenment. They are
reputed to know a good deal.

There were two of them strolling along the Baby Walk, with their arms
round each other's waists, and he hopped down to address them. The
fairies have their tiffs with the birds, but they usually give a civil
answer to a civil question, and he was quite angry when these two
ran away the moment they saw him. Another was lolling on a garden-chair,
reading a postage-stamp which some human had let fall, and when he
heard Peter's voice he popped in alarm behind a tulip.

To Peter's bewilderment he discovered that every fairy he met fled
from him. A band of workmen, who were sawing down a toadstool, rushed
away, leaving their tools behind them. A milkmaid turned her pail
upside down and hid in it. Soon the Gardens were in an uproar. Crowds
of fairies were running this way and that, asking each other stoutly,
who was afraid, lights were extinguished, doors barricaded, and from
the grounds of Queen Mab's palace came the rubadub of drums, showing
that the royal guard had been called out.

A regiment of Lancers came charging down the Broad Walk, armed with
holly-leaves, with which they jog the enemy horribly in passing. Peter
heard the little people crying everywhere that there was a human in
the Gardens after Lock-out Time, but he never thought for a moment
that he was the human. He was feeling stuffier and stuffier, and more
and more wistful to learn what he wanted done to his nose, but he
pursued them with the vital question in vain; the timid creatures
ran from him, and even the Lancers, when he approached them up the
Hump, turned swiftly into a side-walk, on the pretence that they saw
him there.

Despairing of the fairies, he resolved to consult the birds, but now
he remembered, as an odd thing, that all the birds on the weeping
beech had flown away when he alighted on it, and though that had not
troubled him at the time, he saw its meaning now. Every living thing
was shunning him. Poor little Peter Pan, he sat down and cried, and
even then he did not know that, for a bird, he was sitting on his
wrong part. It is a blessing that he did not know, for otherwise he
would have lost faith in his power to fly, and the moment you doubt
whether you can fly, you cease forever to be able to do it. The reason
birds can fly and we can't is simply that they have perfect faith,
for to have faith is to have wings.

Now, except by flying, no one can reach the island in the Serpentine,
for the boats of humans are forbidden to land there, and there are
stakes round it, standing up in the water, on each of which a bird-sentinel
sits by day and night. It was to the island that Peter now flew to
put his strange case before old Solomon Caw, and he alighted on it
with relief, much heartened to find himself at last at home, as the
birds call the island. All of them were asleep, including the sentinels,
except Solomon, who was wide awake on one side, and he listened quietly
to Peter's adventures, and then told him their true meaning.

{}``Look at your night-gown, if you don't believe me,'' Solomon
said, and with staring eyes Peter looked at his nightgown, and then
at the sleeping birds. Not one of them wore anything.

{}``How many of your toes are thumbs?''\ said Solomon a little
cruelly, and Peter saw to his consternation, that all his toes were
fingers. The shock was so great that it drove away his cold.

{}``Ruffle your feathers,'' said that grim old Solomon, and Peter
tried most desperately hard to ruffle his feathers, but he had none.
Then he rose up, quaking, and for the first time since he stood on
the window-ledge, he remembered a lady who had been very fond of him.

{}``I think I shall go back to mother,'' he said timidly.

{}``Good-bye,'' replied Solomon Caw with a queer look.

But Peter hesitated. {}``Why don't you go?''\ the old one asked
politely.

{}``I suppose,'' said Peter huskily, {}``I suppose I can still
fly?''\ 

You see, he had lost faith.

{}``Poor little half-and-half,'' said Solomon, who was not really
hard-hearted, {}``you will never be able to fly again, not even on
windy days. You must live here on the island always.''

{}``And never even go to the Kensington Gardens?''\ Peter asked
tragically.

{}``How could you get across?''\ said Solomon. He promised very
kindly, however, to teach Peter as many of the bird ways as could
be learned by one of such an awkward shape.

{}``Then I sha'n't be exactly a human?''\ Peter asked.

{}``No.''

{}``Nor exactly a bird?''\ 

{}``No.''

{}``What shall I be?''\ 

{}``You will be a Betwixt-and-Between,'' Solomon said, and certainly
he was a wise old fellow, for that is exactly how it turned out.

The birds on the island never got used to him. His oddities tickled
them every day, as if they were quite new, though it was really the
birds that were new. They came out of the eggs daily, and laughed
at him at once, then off they soon flew to be humans, and other birds
came out of other eggs, and so it went on forever. The crafty mother-birds,
when they tired of sitting on their eggs, used to get the young one
to break their shells a day before the right time by whispering to
them that now was their chance to see Peter washing or drinking or
eating. Thousands gathered round him daily to watch him do these things,
just as you watch the peacocks, and they screamed with delight when
he lifted the crusts they flung him with his hands instead of in the
usual way with the mouth. All his food was brought to him from the
Gardens at Solomon's orders by the birds. He would not eat worms or
insects (which they thought very silly of him), so they brought him
bread in their beaks. Thus, when you cry out, {}``Greedy! Greedy!''\ 
to the bird that flies away with the big crust, you know now that
you ought not to do this, for he is very likely taking it to Peter
Pan.

Peter wore no night-gown now. You see, the birds were always begging
him for bits of it to line their nests with, and, being very good-natured,
he could not refuse, so by Solomon's advice he had hidden what was
left of it. But, though he was now quite naked, you must not think
that he was cold or unhappy. He was usually very happy and gay, and
the reason was that Solomon had kept his promise and taught him many
of the bird ways. To be easily pleased, for instance, and always to
be really doing something, and to think that whatever he was doing
was a thing of vast importance. Peter became very clever at helping
the birds to build their nests; soon he could build better than a
wood-pigeon, and nearly as well as a blackbird, though never did he
satisfy the finches, and he made nice little water-troughs near the
nests and dug up worms for the young ones with his fingers. He also
became very learned in bird-lore, and knew an east-wind from a west-wind
by its smell, and he could see the grass growing and hear the insects
walking about inside the tree-trunks. But the best thing Solomon had
done was to teach him to have a glad heart. All birds have glad hearts
unless you rob their nests, and so as they were the only kind of heart
Solomon knew about, it was easy to him to teach Peter how to have
one.

Peter's heart was so glad that he felt he must sing all day long,
just as the birds sing for joy, but, being partly human, he needed
in instrument, so he made a pipe of reeds, and he used to sit by the
shore of the island of an evening, practising the sough of the wind
and the ripple of the water, and catching handfuls of the shine of
the moon, and he put them all in his pipe and played them so beautifully
that even the birds were deceived, and they would say to each other,
{}``Was that a fish leaping in the water or was it Peter playing
leaping fish on his pipe?''\ and sometimes he played the birth of
birds, and then the mothers would turn round in their nests to see
whether they had laid an egg. If you are a child of the Gardens you
must know the chestnut-tree near the bridge, which comes out in flower
first of all the chestnuts, but perhaps you have not heard why this
tree leads the way. It is because Peter wearies for summer and plays
that it has come, and the chestnut being so near, hears him and is
cheated.

But as Peter sat by the shore tootling divinely on his pipe he sometimes
fell into sad thoughts and then the music became sad also, and the
reason of all this sadness was that he could not reach the Gardens,
though he could see them through the arch of the bridge. He knew he
could never be a real human again, and scarcely wanted to be one,
but oh, how he longed to play as other children play, and of course
there is no such lovely place to play in as the Gardens. The birds
brought him news of how boys and girls play, and wistful tears started
in Peter's eyes.

Perhaps you wonder why he did not swim across. The reason was that
he could not swim. He wanted to know how to swim, but no one on the
island knew the way except the ducks, and they are so stupid. They
were quite willing to teach him, but all they could say about it was,
{}``You sit down on the top of the water in this way, and then you
kick out like that.'' Peter tried it often, but always before he
could kick out he sank. What he really needed to know was how you
sit on the water without sinking, and they said it was quite impossible
to explain such an easy thing as that. Occasionally swans touched
on the island, and he would give them all his day's food and then
ask them how they sat on the water, but as soon as he had no more
to give them the hateful things hissed at him and sailed away.

Once he really thought he had discovered a way of reaching the Gardens.
A wonderful white thing, like a runaway newspaper, floated high over
the island and then tumbled, rolling over and over after the manner
of a bird that has broken its wing. Peter was so frightened that he
hid, but the birds told him it was only a kite, and what a kite is,
and that it must have tugged its string out of a boy's hand, and soared
away. After that they laughed at Peter for being so fond of the kite,
he loved it so much that he even slept with one hand on it, and I
think this was pathetic and pretty, for the reason he loved it was
because it had belonged to a real boy.

To the birds this was a very poor reason, but the older ones felt
grateful to him at this time because he had nursed a number of fledglings
through the German measles, and they offered to show him how birds
fly a kite. So six of them took the end of the string in their beaks
and flew away with it; and to his amazement it flew after them and
went even higher than they.

Peter screamed out, {}``Do it again!''\ and with great good nature
they did it several times, and always instead of thanking them he
cried, {}``Do it again!''\ which shows that even now he had not
quite forgotten what it was to be a boy.

At last, with a grand design burning within his brave heart, he begged
them to do it once more with him clinging to the tail, and now a hundred
flew off with the string, and Peter clung to the tail, meaning to
drop off when he was over the Gardens. But the kite broke to pieces
in the air, and he would have drowned in the Serpentine had he not
caught hold of two indignant swans and made them carry him to the
island. After this the birds said that they would help him no more
in his mad enterprise.

Nevertheless, Peter did reach the Gardens at last by the help of Shelley's
boat, as I am now to tell you.


\chapter*{\raggedright The Thrush's Nest}

\addcontentsline{toc}{chapter}{The Thrush's Nest}

\markboth{Peter Pan in Kensington Gardens}{The Thrush's Nest}

Shelley was a young gentleman and as grown-up as he need ever expect
to be. He was a poet; and they are never exactly grown-up. They are
people who despise money except what you need for to-day, and he had
all that and five pounds over. So, when he was walking in the Kensington
Gardens, he made a paper boat of his bank-note, and sent it sailing
on the Serpentine.

It reached the island at night: and the look-out brought it to Solomon
Caw, who thought at first that it was the usual thing, a message from
a lady, saying she would be obliged if he could let her have a good
one. They always ask for the best one he has, and if he likes the
letter he sends one from Class A, but if it ruffles him he sends very
funny ones indeed. Sometimes he sends none at all, and at another
time he sends a nestful; it all depends on the mood you catch him
in. He likes you to leave it all to him, and if you mention particularly
that you hope he will see his way to making it a boy this time, he
is almost sure to send another girl. And whether you are a lady or
only a little boy who wants a baby-sister, always take pains to write
your address clearly. You can't think what a lot of babies Solomon
has sent to the wrong house.

Shelley's boat, when opened, completely puzzled Solomon, and he took
counsel of his assistants, who having walked over it twice, first
with their toes pointed out, and then with their toes pointed in,
decided that it came from some greedy person who wanted five. They
thought this because there was a large five printed on it. {}``Preposterous!''\ 
cried Solomon in a rage, and he presented it to Peter; anything useless
which drifted upon the island was usually given to Peter as a play-thing.

But he did not play with his precious bank-note, for he knew what
it was at once, having been very observant during the week when he
was an ordinary boy. With so much money, he reflected, he could surely
at last contrive to reach the Gardens, and he considered all the possible
ways, and decided (wisely, I think) to choose the best way. But, first,
he had to tell the birds of the value of Shelley's boat; and though
they were too honest to demand it back, he saw that they were galled,
and they cast such black looks at Solomon, who was rather vain of
his cleverness, that he flew away to the end of the island, and sat
there very depressed with his head buried in his wings. Now Peter
knew that unless Solomon was on your side, you never got anything
done for you in the island, so he followed him and tried to hearten
him.

Nor was this all that Peter did to pin the powerful old fellow's good
will. You must know that Solomon had no intention of remaining in
office all his life. He looked forward to retiring by-and-by, and
devoting his green old age to a life of pleasure on a certain yew-stump
in the Figs which had taken his fancy, and for years he had been quietly
filling his stocking. It was a stocking belonging to some bathing
person which had been cast upon the island, and at the time I speak
of it contained a hundred and eighty crumbs, thirty-four nuts, sixteen
crusts, a pen-wiper and a bootlace. When his stocking was full, Solomon
calculated that he would be able to retire on a competency. Peter
now gave him a pound. He cut it off his bank-note with a sharp stick.

This made Solomon his friend for ever, and after the two had consulted
together they called a meeting of the thrushes. You will see presently
why thrushes only were invited.

The scheme to be put before them was really Peter's, but Solomon did
most of the talking, because he soon became irritable if other people
talked. He began by saying that he had been much impressed by the
superior ingenuity shown by the thrushes in nest-building, and this
put them into good-humour at once, as it was meant to do; for all
the quarrels between birds are about the best way of building nests.
Other birds, said Solomon, omitted to line their nests with mud, and
as a result they did not hold water. Here he cocked his head as if
he had used an unanswerable argument; but, unfortunately, a Mrs.\ Finch
had come to the meeting uninvited, and she squeaked out, {}``We don't
build nests to hold water, but to hold eggs,'' and then the thrushes
stopped cheering, and Solomon was so perplexed that he took several
sips of water.

{}``Consider,'' he said at last, {}``how warm the mud makes the
nest.''

{}``Consider,'' cried Mrs.\ Finch, {}``that when water gets into
the nest it remains there and your little ones are drowned.''

The thrushes begged Solomon with a look to say something crushing
in reply to this, but again he was perplexed.

{}``Try another drink,'' suggested Mrs.\ Finch pertly. Kate was
her name, and all Kates are saucy.

Solomon did try another drink, and it inspired him. {}``If,'' said
he, {}``a finch's nest is placed on the Serpentine it fills and breaks
to pieces, but a thrush's nest is still as dry as the cup of a swan's
back.''

How the thrushes applauded! Now they knew why they lined their nests
with mud, and when Mrs.\ Finch called out, {}``We don't place our
nests on the Serpentine,'' they did what they should have done at
first: chased her from the meeting. After this it was most orderly.
What they had been brought together to hear, said Solomon, was this:
their young friend, Peter Pan, as they well knew, wanted very much
to be able to cross to the Gardens, and he now proposed, with their
help, to build a boat.

At this the thrushes began to fidget, which made Peter tremble for
his scheme.

Solomon explained hastily that what he meant was not one of the cumbrous
boats that humans use; the proposed boat was to be simply a thrush's
nest large enough to hold Peter.

But still, to Peter's agony, the thrushes were sulky. {}``We are
very busy people,'' they grumbled, {}``and this would be a big job.''

{}``Quite so,'' said Solomon, {}``and, of course, Peter would not
allow you to work for nothing. You must remember that he is now in
comfortable circumstances, and he will pay you such wages as you have
never been paid before. Peter Pan authorises me to say that you shall
all be paid sixpence a day.''

Then all the thrushes hopped for joy, and that very day was begun
the celebrated Building of the Boat. All their ordinary business fell
into arrears. It was the time of year when they should have been pairing,
but not a thrush's nest was built except this big one, and so Solomon
soon ran short of thrushes with which to supply the demand from the
mainland. The stout, rather greedy children, who look so well in perambulators
but get puffed easily when they walk, were all young thrushes once,
and ladies often ask specially for them. What do you think Solomon
did? He sent over to the housetops for a lot of sparrows and ordered
them to lay their eggs in old thrushes' nests and sent their young
to the ladies and swore they were all thrushes! It was known afterward
on the island as the Sparrows' Year, and so, when you meet, as you
doubtless sometimes do, grown-up people who puff and blow as if they
thought themselves bigger than they are, very likely they belong to
that year. You ask them.

Peter was a just master, and paid his work-people every evening. They
stood in rows on the branches, waiting politely while he cut the paper
sixpences out of his bank-note, and presently he called the roll,
and then each bird, as the names were mentioned, flew down and got
sixpence. It must have been a fine sight.

And at last, after months of labor, the boat was finished. Oh, the
deportment of Peter as he saw it growing more and more like a great
thrush's nest! From the very beginning of the building of it he slept
by its side, and often woke up to say sweet things to it, and after
it was lined with mud and the mud had dried he always slept in it.
He sleeps in his nest still, and has a fascinating way of curling
round in it, for it is just large enough to hold him comfortably when
he curls round like a kitten. It is brown inside, of course, but outside
it is mostly green, being woven of grass and twigs, and when these
wither or snap the walls are thatched afresh. There are also a few
feathers here and there, which came off the thrushes while they were
building.

The other birds were extremely jealous and said that the boat would
not balance on the water, but it lay most beautifully steady; they
said the water would come into it, but no water came into it. Next
they said that Peter had no oars, and this caused the thrushes to
look at each other in dismay, but Peter replied that he had no need
of oars, for he had a sail, and with such a proud, happy face he produced
a sail which he had fashioned out of his night-gown, and though it
was still rather like a night-gown it made a lovely sail. And that
night, the moon being full, and all the birds asleep, he did enter
his coracle (as Master Francis Pretty would have said) and depart
out of the island. And first, he knew not why, he looked upward, with
his hands clasped, and from that moment his eyes were pinned to the
west.

He had promised the thrushes to begin by making short voyages, with
them to his guides, but far away he saw the Kensington Gardens beckoning
to him beneath the bridge, and he could not wait. His face was flushed,
but he never looked back; there was an exultation in his little breast
that drove out fear. Was Peter the least gallant of the English mariners
who have sailed westward to meet the Unknown?

At first, his boat turned round and round, and he was driven back
to the place of his starting, whereupon he shortened sail, by removing
one of the sleeves, and was forthwith carried backward by a contrary
breeze, to his no small peril. He now let go the sail, with the result
that he was drifted toward the far shore, where are black shadows
he knew not the dangers of, but suspected them, and so once more hoisted
his night-gown and went roomer of the shadows until he caught a favouring
wind, which bore him westward, but at so great a speed that he was
like to be broke against the bridge. Which, having avoided, he passed
under the bridge and came, to his great rejoicing, within full sight
of the delectable Gardens. But having tried to cast anchor, which
was a stone at the end of a piece of the kite-string, he found no
bottom, and was fain to hold off, seeking for moorage, and, feeling
his way, he buffeted against a sunken reef that cast him overboard
by the greatness of the shock, and he was near to being drowned, but
clambered back into the vessel. There now arose a mighty storm, accompanied
by roaring of waters, such as he had never heard the like, and he
was tossed this way and that, and his hands so numbed with the cold
that he could not close them. Having escaped the danger of which,
he was mercifully carried into a small bay, where his boat rode at
peace.

Nevertheless, he was not yet in safety; for, on pretending to disembark,
he found a multitude of small people drawn up on the shore to contest
his landing; and shouting shrilly to him to be off, for it was long
past Lock-out Time. This, with much brandishing of their holly-leaves,
and also a company of them carried an arrow which some boy had left
in the Gardens, and this they were prepared to use as a battering-ram.

Then Peter, who knew them for the fairies, called out that he was
not an ordinary human and had no desire to do them displeasure, but
to be their friend, nevertheless, having found a jolly harbour, he
was in no temper to draw off there-from, and he warned them if they
sought to mischief him to stand to their harms.

So saying; he boldly leapt ashore, and they gathered around him with
intent to slay him, but there then arose a great cry among the women,
and it was because they had now observed that his sail was a baby's
night-gown. Whereupon, they straightway loved him, and grieved that
their laps were too small, the which I cannot explain, except by saying
that such is the way of women. The men-fairies now sheathed their
weapons on observing the behaviour of their women, on whose intelligence
they set great store, and they led him civilly to their queen, who
conferred upon him the courtesy of the Gardens after Lock-out Time,
and henceforth Peter could go whither he chose, and the fairies had
orders to put him in comfort.

Such was his first voyage to the Gardens, and you may gather from
the antiquity of the language that it took place a long time ago.
But Peter never grows any older, and if we could be watching for him
under the bridge to-night (but, of course, we can't), I daresay we
should see him hoisting his night-gown and sailing or paddling toward
us in the Thrush's Nest. When he sails, he sits down, but he stands
up to paddle. I shall tell you presently how he got his paddle.

Long before the time for the opening of the gates comes he steals
back to the island, for people must not see him (he is not so human
as all that), but this gives him hours for play, and he plays exactly
as real children play. At least he thinks so, and it is one of the
pathetic things about him that he often plays quite wrongly.

You see, he had no one to tell him how children really play, for the
fairies were all more or less in hiding until dusk, and so know nothing,
and though the buds pretended that they could tell him a great deal,
when the time for telling came, it was wonderful how little they really
knew. They told him the truth about hide-and-seek, and he often plays
it by himself, but even the ducks on the Round Pond could not explain
to him what it is that makes the pond so fascinating to boys. Every
night the ducks have forgotten all the events of the day, except the
number of pieces of cake thrown to them. They are gloomy creatures,
and say that cake is not what it was in their young days.

So Peter had to find out many things for himself. He often played
ships at the Round Pond, but his ship was only a hoop which he had
found on the grass. Of course, he had never seen a hoop, and he wondered
what you play at with them, and decided that you play at pretending
they are boats. This hoop always sank at once, but he waded in for
it, and sometimes he dragged it gleefully round the rim of the pond,
and he was quite proud to think that he had discovered what boys do
with hoops.

Another time, when he found a child's pail, he thought it was for
sitting in, and he sat so hard in it that he could scarcely get out
of it. Also he found a balloon. It was bobbing about on the Hump,
quite as if it was having a game by itself, and he caught it after
an exciting chase. But he thought it was a ball, and Jenny Wren had
told him that boys kick balls, so he kicked it; and after that he
could not find it anywhere.

Perhaps the most surprising thing he found was a perambulator. It
was under a lime-tree, near the entrance to the Fairy Queen's Winter
Palace (which is within the circle of the seven Spanish chestnuts),
and Peter approached it warily, for the birds had never mentioned
such things to him. Lest it was alive, he addressed it politely, and
then, as it gave no answer, he went nearer and felt it cautiously.
He gave it a little push, and it ran from him, which made him think
it must be alive after all; but, as it had run from him, he was not
afraid. So he stretched out his hand to pull it to him, but this time
it ran at him, and he was so alarmed that he leapt the railing and
scudded away to his boat. You must not think, however, that he was
a coward, for he came back next night with a crust in one hand and
a stick in the other, but the perambulator had gone, and he never
saw another one. I have promised to tell you also about his paddle.
It was a child's spade which he had found near St.\ Govor's Well,
and he thought it was a paddle.

Do you pity Peter Pan for making these mistakes? If so, I think it
rather silly of you. What I mean is that, of course, one must pity
him now and then, but to pity him all the time would be impertinence.
He thought he had the most splendid time in the Gardens, and to think
you have it is almost quite as good as really to have it. He played
without ceasing, while you often waste time by being mad-dog or Mary-Annish.
He could be neither of these things, for he had never heard of them,
but do you think he is to be pitied for that?

Oh, he was merry. He was as much merrier than you, for instance, as
you are merrier than your father. Sometimes he fell, like a spinning-top,
from sheer merriment. Have you seen a greyhound leaping the fences
of the Gardens? That is how Peter leaps them.

And think of the music of his pipe. Gentlemen who walk home at night
write to the papers to say they heard a nightingale in the Gardens,
but it is really Peter's pipe they hear. Of course, he had no mother\mbox{---}at
least, what use was she to him? You can be sorry for him for that,
but don't be too sorry, for the next thing I mean to tell you is how
he revisited her. It was the fairies who gave him the chance.


\chapter*{\raggedright The Little House}

\addcontentsline{toc}{chapter}{The Little House}

\markboth{Peter Pan in Kensington Gardens}{The Little House}

Everybody has heard of the Little House in the Kensington Gardens,
which is the only house in the whole world that the fairies have built
for humans. But no one has really seen it, except just three or four,
and they have not only seen it but slept in it, and unless you sleep
in it you never see it. This is because it is not there when you lie
down, but it is there when you wake up and step outside.

In a kind of way everyone may see it, but what you see is not really
it, but only the light in the windows. You see the light after Lock-out
Time. David, for instance, saw it quite distinctly far away among
the trees as we were going home from the pantomime, and Oliver Bailey
saw it the night he stayed so late at the Temple, which is the name
of his father's office. Angela Clare, who loves to have a tooth extracted
because then she is treated to tea in a shop, saw more than one light,
she saw hundreds of them all together, and this must have been the
fairies building the house, for they build it every night and always
in a different part of the Gardens. She thought one of the lights
was bigger than the others, though she was not quite sure, for they
jumped about so, and it might have been another one that was bigger.
But if it was the same one, it was Peter Pan's light. Heaps of children
have seen the light, so that is nothing. But Maimie Mannering was
the famous one for whom the house was first built.

Maimie was always rather a strange girl, and it was at night that
she was strange. She was four years of age, and in the daytime she
was the ordinary kind. She was pleased when her brother Tony, who
was a magnificent fellow of six, took notice of her, and she looked
up to him in the right way, and tried in vain to imitate him and was
flattered rather than annoyed when he shoved her about. Also, when
she was batting she would pause though the ball was in the air to
point out to you that she was wearing new shoes. She was quite the
ordinary kind in the daytime.

But as the shades of night fell, Tony, the swaggerer, lost his contempt
for Maimie and eyed her fearfully, and no wonder, for with dark there
came into her face a look that I can describe only as a leary look.
It was also a serene look that contrasted grandly with Tony's uneasy
glances. Then he would make her presents of his favourite toys (which
he always took away from her next morning) and she accepted them with
a disturbing smile. The reason he was now become so wheedling and
she so mysterious was (in brief) that they knew they were about to
be sent to bed. It was then that Maimie was terrible. Tony entreated
her not to do it to-night, and the mother and their coloured nurse
threatened her, but Maimie merely smiled her agitating smile. And
by-and-by when they were alone with their night-light she would start
up in bed crying {}``Hsh!\ what was that?''\ Tony beseeches her!
{}``It was nothing\mbox{---}don't, Maimie, don't!''\ and pulls
the sheet over his head. {}``It is coming nearer!''\ she cries;
{}``Oh, look at it, Tony! It is feeling your bed with its \mbox{horns\mbox{---}}it
is boring for you, oh, Tony, oh!''\ and she desists not until he
rushes downstairs in his combinations, screeching. When they came
up to whip Maimie they usually found her sleeping tranquilly, not
shamming, you know, but really sleeping, and looking like the sweetest
little angel, which seems to me to make it almost worse.

But of course it was daytime when they were in the Gardens, and then
Tony did most of the talking. You could gather from his talk that
he was a very brave boy, and no one was so proud of it as Maimie.
She would have loved to have a ticket on her saying that she was his
sister. And at no time did she admire him more than when he told her,
as he often did with splendid firmness, that one day he meant to remain
behind in the Gardens after the gates were closed.

{}``Oh, Tony,'' she would say, with awful respect, {}``but the
fairies will be so angry!''\ 

{}``I daresay,'' replied Tony, carelessly.

{}``Perhaps,'' she said, thrilling, {}``Peter Pan will give you
a sail in his boat!''\ 

{}``I shall make him,'' replied Tony; no wonder she was proud of
him.

But they should not have talked so loudly, for one day they were overheard
by a fairy who had been gathering skeleton leaves, from which the
little people weave their summer curtains, and after that Tony was
a marked boy. They loosened the rails before he sat on them, so that
down he came on the back of his head; they tripped him up by catching
his bootlace and bribed the ducks to sink his boat. Nearly all the
nasty accidents you meet with in the Gardens occur because the fairies
have taken an ill-will to you, and so it behoves you to be careful
what you say about them.

Maimie was one of the kind who like to fix a day for doing things,
but Tony was not that kind, and when she asked him which day he was
to remain behind in the Gardens after Lock-out he merely replied,
{}``Just some day;'' he was quite vague about which day except when
she asked {}``Will it be today?''\ and then he could always say
for certain that it would not be to-day. So she saw that he was waiting
for a real good chance.

This brings us to an afternoon when the Gardens were white with snow,
and there was ice on the Round Pond, not thick enough to skate on
but at least you could spoil it for tomorrow by flinging stones, and
many bright little boys and girls were doing that.

When Tony and his sister arrived they wanted to go straight to the
pond, but their ayah said they must take a sharp walk first, and as
she said this she glanced at the time-board to see when the Gardens
closed that night. It read half-past five. Poor ayah!\ she is the
one who laughs continuously because there are so many white children
in the world, but she was not to laugh much more that day.

Well, they went up the Baby Walk and back, and when they returned
to the time-board she was surprised to see that it now read five o'clock
for closing time. But she was unacquainted with the tricky ways of
the fairies, and so did not see (as Maimie and Tony saw at once) that
they had changed the hour because there was to be a ball to-night.
She said there was only time now to walk to the top of the Hump and
back, and as they trotted along with her she little guessed what was
thrilling their little breasts. You see the chance had come of seeing
a fairy ball. Never, Tony felt, could he hope for a better chance.

He had to feel this, for Maimie so plainly felt it for him. Her eager
eyes asked the question, {}``Is it to-day?''\ and he gasped and
then nodded. Maimie slipped her hand into Tony's, and hers was hot,
but his was cold. She did a very kind thing; she took off her scarf
and gave it to him! {}``In case you should feel cold,'' she whispered.
Her face was aglow, but Tony's was very gloomy.

As they turned on the top of the Hump he whispered to her, {}``I'm
afraid Nurse would see me, so I sha'n't be able to do it.''

Maimie admired him more than ever for being afraid of nothing but
their ayah, when there were so many unknown terrors to fear, and she
said aloud, {}``Tony, I shall race you to the gate,'' and in a whisper,
{}``Then you can hide,'' and off they ran.

Tony could always outdistance her easily, but never had she known
him speed away so quickly as now, and she was sure he hurried that
he might have more time to hide. {}``Brave, brave!''\ her doting
eyes were crying when she got a dreadful shock; instead of hiding,
her hero had run out at the gate! At this bitter sight Maimie stopped
blankly, as if all her lapful of darling treasures were suddenly spilled,
and then for very disdain she could not sob; in a swell of protest
against all puling cowards she ran to St.\ Govor's Well and hid in
Tony's stead.

When the ayah reached the gate and saw Tony far in front she thought
her other charge was with him and passed out. Twilight came on, and
scores and hundreds of people passed out, including the last one,
who always has to run for it, but Maimie saw them not. She had shut
her eyes tight and glued them with passionate tears. When she opened
them something very cold ran up her legs and up her arms and dropped
into her heart. It was the stillness of the Gardens. Then she heard
clang, then from another part \textit{clang}, then \textit{clang},
\textit{clang} far away. It was the Closing of the Gates.

Immediately the last clang had died away Maimie distinctly heard a
voice say, {}``So that's all right.'' It had a wooden sound and
seemed to come from above, and she looked up in time to see an elm
tree stretching out its arms and yawning.

She was about to say, {}``I never knew you could speak!''\ when
a metallic voice that seemed to come from the ladle at the well remarked
to the elm, {}``I suppose it is a bit coldish up there?''\ and
the elm replied, {}``Not particularly, but you do get numb standing
so long on one leg,'' and he flapped his arms vigorously just as
the cabmen do before they drive off. Maimie was quite surprised to
see that a number of other tall trees were doing the same sort of
thing and she stole away to the Baby Walk and crouched observantly
under a Minorca Holly which shrugged its shoulders but did not seem
to mind her.

She was not in the least cold. She was wearing a russet-coloured pelisse
and had the hood over her head, so that nothing of her showed except
her dear little face and her curls. The rest of her real self was
hidden far away inside so many warm garments that in shape she seemed
rather like a ball. She was about forty round the waist.

There was a good deal going on in the Baby Walk, when Maimie arrived
in time to see a magnolia and a Persian lilac step over the railing
and set off for a smart walk. They moved in a jerky sort of way certainly,
but that was because they used crutches. An elderberry hobbled across
the walk, and stood chatting with some young quinces, and they all
had crutches. The crutches were the sticks that are tied to young
trees and shrubs. They were quite familiar objects to Maimie, but
she had never known what they were for until to-night.

She peeped up the walk and saw her first fairy. He was a street boy
fairy who was running up the walk closing the weeping trees. The way
he did it was this, he pressed a spring in the trunk and they shut
like umbrellas, deluging the little plants beneath with snow. {}``Oh,
you naughty, naughty child!''\ Maimie cried indignantly, for she
knew what it was to have a dripping umbrella about your ears.

Fortunately the mischievous fellow was out of earshot, but the chrysanthemums
heard her, and they all said so pointedly {}``Hoity-toity, what is
this?''\ that she had to come out and show herself. Then the whole
vegetable kingdom was rather puzzled what to do.

{}``Of course it is no affair of ours,'' a spindle tree said after
they had whispered together, {}``but you know quite well you ought
not to be here, and perhaps our duty is to report you to the fairies;
what do you think yourself?''\


{}``I think you should not,'' Maimie replied, which so perplexed
them that they said petulantly there was no arguing with her. {}``I
wouldn't ask it of you,'' she assured them, {}``if I thought it
was wrong,'' and of course after this they could not well carry tales.
They then said, {}``Well-a-day,'' and {}``Such is life!''\ for
they can be frightfully sarcastic, but she felt sorry for those of
them who had no crutches, and she said good-naturedly, {}``Before
I go to the fairies' ball, I should like to take you for a walk one
at a time; you can lean on me, you know.''

At this they clapped their hands, and she escorted them up to the
Baby Walk and back again, one at a time, putting an arm or a finger
round the very frail, setting their leg right when it got too ridiculous,
and treating the foreign ones quite as courteously as the English,
though she could not understand a word they said.

They behaved well on the whole, though some whimpered that she had
not taken them as far as she took Nancy or Grace or Dorothy, and others
jagged her, but it was quite unintentional, and she was too much of
a lady to cry out. So much walking tired her and she was anxious to
be off to the ball, but she no longer felt afraid. The reason she
felt no more fear was that it was now night-time, and in the dark,
you remember, Maimie was always rather strange.

They were now loath to let her go, for, {}``If the fairies see you,''
they warned her, {}``they will mischief you, stab you to death or
compel you to nurse their children or turn you into something tedious,
like an evergreen oak.'' As they said this they looked with affected
pity at an evergreen oak, for in winter they are very envious of the
evergreens.

{}``Oh, la!''\ replied the oak bitingly, {}``how deliciously cosy
it is to stand here buttoned to the neck and watch you poor naked
creatures shivering!''\ 

This made them sulky though they had really brought it on themselves,
and they drew for Maimie a very gloomy picture of the perils that
faced her if she insisted on going to the ball.

She learned from a purple filbert that the court was not in its usual
good temper at present, the cause being the tantalising heart of the
Duke of Christmas Daisies. He was an Oriental fairy, very poorly of
a dreadful complaint, namely, inability to love, and though he had
tried many ladies in many lands he could not fall in love with one
of them. Queen Mab, who rules in the Gardens, had been confident that
her girls would bewitch him, but alas, his heart, the doctor said,
remained cold. This rather irritating doctor, who was his private
physician, felt the Duke's heart immediately after any lady was presented,
and then always shook his bald head and murmured, {}``Cold, quite
cold!''\ Naturally Queen Mab felt disgraced, and first she tried
the effect of ordering the court into tears for nine minutes, and
then she blamed the Cupids and decreed that they should wear fools'
caps until they thawed the Duke's frozen heart.

{}``How I should love to see the Cupids in their dear little fools'
caps!''\ Maimie cried, and away she ran to look for them very recklessly,
for the Cupids hate to be laughed at.

It is always easy to discover where a fairies' ball is being held,
as ribbons are stretched between it and all the populous parts of
the Gardens, on which those invited may walk to the dance without
wetting their pumps. This night the ribbons were red and looked very
pretty on the snow.

Maimie walked alongside one of them for some distance without meeting
anybody, but at last she saw a fairy cavalcade approaching. To her
surprise they seemed to be returning from the ball, and she had just
time to hide from them by bending her knees and holding out her arms
and pretending to be a garden chair. There were six horsemen in front
and six behind, in the middle walked a prim lady wearing a long train
held up by two pages, and on the train, as if it were a couch, reclined
a lovely girl, for in this way do aristocratic fairies travel about.
She was dressed in golden rain, but the most enviable part of her
was her neck, which was blue in colour and of a velvet texture, and
of course showed off her diamond necklace as no white throat could
have glorified it. The high-born fairies obtain this admired effect
by pricking their skin, which lets the blue blood come through and
dye them, and you cannot imagine anything so dazzling unless you have
seen the ladies' busts in the jewellers' windows.

Maimie also noticed that the whole cavalcade seemed to be in a passion,
tilting their noses higher than it can be safe for even fairies to
tilt them, and she concluded that this must be another case in which
the doctor had said {}``Cold, quite cold!''\


Well, she followed the ribbon to a place where it became a bridge
over a dry puddle into which another fairy had fallen and been unable
to climb out. At first this little damsel was afraid of Maimie, who
most kindly went to her aid, but soon she sat in her hand chatting
gaily and explaining that her name was Brownie, and that though only
a poor street singer she was on her way to the ball to see if the
Duke would have her.

{}``Of course,'' she said, {}``I am rather plain,'' and this made
Maimie uncomfortable, for indeed the simple little creature was almost
quite plain for a fairy.

It was difficult to know what to reply.

{}``I see you think I have no chance,'' Brownie said falteringly.

{}``I don't say that,'' Maimie answered politely, {}``of course
your face is just a tiny bit homely, but\mbox{---}'' Really it was
quite awkward for her.

Fortunately she remembered about her father and the bazaar. He had
gone to a fashionable bazaar where all the most beautiful ladies in
London were on view for half-a-crown the second day, but on his return
home instead of being dissatisfied with Maimie's mother he had said,
{}``You can't think, my dear, what a relief it is to see a homely
face again.''

Maimie repeated this story, and it fortified Brownie tremendously,
indeed she had no longer the slightest doubt that the Duke would choose
her. So she scudded away up the ribbon, calling out to Maimie not
to follow lest the Queen should mischief her.

But Maimie's curiosity tugged her forward, and presently at the seven
Spanish chestnuts, she saw a wonderful light. She crept forward until
she was quite near it, and then she peeped from behind a tree.

The light, which was as high as your head above the ground, was composed
of myriads of glow-worms all holding on to each other, and so forming
a dazzling canopy over the fairy ring. There were thousands of little
people looking on, but they were in shadow and drab in colour compared
to the glorious creatures within that luminous circle who were so
bewilderingly bright that Maimie had to wink hard all the time she
looked at them.

It was amazing and even irritating to her that the Duke of Christmas
Daisies should be able to keep out of love for a moment: yet out of
love his dusky grace still was: you could see it by the shamed looks
of the Queen and court (though they pretended not to care), by the
way darling ladies brought forward for his approval burst into tears
as they were told to pass on, and by his own most dreary face.

Maimie could also see the pompous doctor feeling the Duke's heart
and hear him give utterance to his parrot cry, and she was particularly
sorry for the Cupids, who stood in their fools' caps in obscure places
and, every time they heard that {}``Cold, quite cold,'' bowed their
disgraced little heads.

She was disappointed not to see Peter Pan, and I may as well tell
you now why he was so late that night. It was because his boat had
got wedged on the Serpentine between fields of floating ice, through
which he had to break a perilous passage with his trusty paddle.

The fairies had as yet scarcely missed him, for they could not dance,
so heavy were their hearts. They forget all the steps when they are
sad and remember them again when they are merry. David tells me that
fairies never say {}``We feel happy'': what they say is, {}``We
feel \textit{dancey}.''

Well, they were looking very undancy indeed, when sudden laughter
broke out among the onlookers, caused by Brownie, who had just arrived
and was insisting on her right to be presented to the Duke.

Maimie craned forward eagerly to see how her friend fared, though
she had really no hope; no one seemed to have the least hope except
Brownie herself who, however, was absolutely confident. She was led
before his grace, and the doctor putting a finger carelessly on the
ducal heart, which for convenience sake was reached by a little trap-door
in his diamond shirt, had begun to say mechanically, {}``Cold, qui\mbox{---},''
when he stopped abruptly.

{}``What's this?''\ he cried, and first he shook the heart like
a watch, and then put his ear to it.

{}``Bless my soul!''\ cried the doctor, and by this time of course
the excitement among the spectators was tremendous, fairies fainting
right and left.

Everybody stared breathlessly at the Duke, who was very much startled
and looked as if he would like to run away. {}``Good gracious me!''\
the doctor was heard muttering, and now the heart was evidently on
fire, for he had to jerk his fingers away from it and put them in
his mouth.

The suspense was awful!

Then in a loud voice, and bowing low, {}``My Lord Duke,'' said the
physician elatedly, {}``I have the honour to inform your excellency
that your grace is in love.''

You can't conceive the effect of it. Brownie held out her arms to
the Duke and he flung himself into them, the Queen leapt into the
arms of the Lord Chamberlain, and the ladies of the court leapt into
the arms of her gentlemen, for it is etiquette to follow her example
in everything. Thus in a single moment about fifty marriages took
place, for if you leap into each other's arms it is a fairy wedding.
Of course a clergyman has to be present.

How the crowd cheered and leapt! Trumpets brayed, the moon came out,
and immediately a thousand couples seized hold of its rays as if they
were ribbons in a May dance and waltzed in wild abandon round the
fairy ring. Most gladsome sight of all, the Cupids plucked the hated
fools' caps from their heads and cast them high in the air. And then
Maimie went and spoiled everything. She couldn't help it. She was
crazy with delight over her little friend's good fortune, so she took
several steps forward and cried in an ecstasy, {}``Oh, Brownie, how
splendid!''\


Everybody stood still, the music ceased, the lights went out, and
all in the time you may take to say {}``Oh dear!'' An awful sense
of her peril came upon Maimie, too late she remembered that she was
a lost child in a place where no human must be between the locking
and the opening of the gates, she heard the murmur of an angry multitude,
she saw a thousand swords flashing for her blood, and she uttered
a cry of terror and fled.

How she ran!\ and all the time her eyes were starting out of her
head. Many times she lay down, and then quickly jumped up and ran
on again. Her little mind was so entangled in terrors that she no
longer knew she was in the Gardens. The one thing she was sure of
was that she must never cease to run, and she thought she was still
running long after she had dropped in the Figs and gone to sleep.
She thought the snowflakes falling on her face were her mother kissing
her good-night. She thought her coverlet of snow was a warm blanket,
and tried to pull it over her head. And when she heard talking through
her dreams she thought it was mother bringing father to the nursery
door to look at her as she slept. But it was the fairies.

I am very glad to be able to say that they no longer desired to mischief
her. When she rushed away they had rent the air with such cries as
{}``Slay her!''\ {}{}``Turn her into something extremely unpleasant!''\ 
and so on, but the pursuit was delayed while they discussed who should
march in front, and this gave Duchess Brownie time to cast herself
before the Queen and demand a boon.

Every bride has a right to a boon, and what she asked for was Maimie's
life. {}``Anything except that,'' replied Queen Mab sternly, and
all the fairies chanted {}``Anything except that.'' But when they
learned how Maimie had befriended Brownie and so enabled her to attend
the ball to their great glory and renown, they gave three huzzas for
the little human, and set off, like an army, to thank her, the court
advancing in front and the canopy keeping step with it. They traced
Maimie easily by her footprints in the snow.

But though they found her deep in snow in the Figs, it seemed impossible
to thank Maimie, for they could not waken her. They went through the
form of thanking her, that is to say, the new King stood on her body
and read her a long address of welcome, but she heard not a word of
it. They also cleared the snow off her, but soon she was covered again,
and they saw she was in danger of perishing of cold.

{}``Turn her into something that does not mind the cold,'' seemed
a good suggestion of the doctor's, but the only thing they could think
of that does not mind cold was a snowflake. {}``And it might melt,''
the Queen pointed out, so that idea had to be given up.

A magnificent attempt was made to carry her to a sheltered spot, but
though there were so many of them she was too heavy. By this time
all the ladies were crying in their handkerchiefs, but presently the
Cupids had a lovely idea. {}``Build a house round her,'' they cried,
and at once everybody perceived that this was the thing to do; in
a moment a hundred fairy sawyers were among the branches, architects
were running round Maimie, measuring her; a bricklayer's yard sprang
up at her feet, seventy-five masons rushed up with the foundation
stone and the Queen laid it, overseers were appointed to keep the
boys off, scaffoldings were run up, the whole place rang with hammers
and chisels and turning lathes, and by this time the roof was on and
the glaziers were putting in the windows.

The house was exactly the size of Maimie and perfectly lovely. One
of her arms was extended and this had bothered them for a second,
but they built a verandah round it, leading to the front door. The
windows were the size of a coloured picture-book and the door rather
smaller, but it would be easy for her to get out by taking off the
roof. The fairies, as is their custom, clapped their hands with delight
over their cleverness, and they were all so madly in love with the
little house that they could not bear to think they had finished it.
So they gave it ever so many little extra touches, and even then they
added more extra touches.

For instance, two of them ran up a ladder and put on a chimney.

{}``Now we fear it is quite finished,'' they sighed.

But no, for another two ran up the ladder, and tied some smoke to
the chimney.

{}``That certainly finishes it,'' they cried reluctantly.

{}``Not at all,'' cried a glow-worm, {}``if she were to wake without
seeing a night-light she might be frightened, so I shall be her night-light.''

{}``Wait one moment,'' said a china merchant, {}``and I shall make
you a saucer.''

Now alas, it was absolutely finished.

Oh, dear no!

{}``Gracious me,'' cried a brass manufacturer, {}``there's no handle
on the door,'' and he put one on.

An ironmonger added a scraper and an old lady ran up with a door-mat.
Carpenters arrived with a water-butt, and the painters insisted on
painting it.

Finished at last!

{}``Finished!\ how can it be finished,'' the plumber demanded scornfully,
{}``before hot and cold are put in?''\ and he put in hot and cold.
Then an army of gardeners arrived with fairy carts and spades and
seeds and bulbs and forcing-houses, and soon they had a flower garden
to the right of the verandah and a vegetable garden to the left, and
roses and clematis on the walls of the house, and in less time than
five minutes all these dear things were in full bloom.

Oh, how beautiful the little house was now! But it was at last finished
true as true, and they had to leave it and return to the dance. They
all kissed their hands to it as they went away, and the last to go
was Brownie. She stayed a moment behind the others to drop a pleasant
dream down the chimney.

All through the night the exquisite little house stood there in the
Figs taking care of Maimie, and she never knew. She slept until the
dream was quite finished and woke feeling deliciously cosy just as
morning was breaking from its egg, and then she almost fell asleep
again, and then she called out,

{}``Tony,'' for she thought she was at home in the nursery. As Tony
made no answer, she sat up, whereupon her head hit the roof, and it
opened like the lid of a box, and to her bewilderment she saw all
around her the Kensington Gardens lying deep in snow. As she was not
in the nursery she wondered whether this was really herself, so she
pinched her cheeks, and then she knew it was herself, and this reminded
her that she was in the middle of a great adventure. She remembered
now everything that had happened to her from the closing of the gates
up to her running away from the fairies, but however, she asked herself,
had she got into this funny place? She stepped out by the roof, right
over the garden, and then she saw the dear house in which she had
passed the night. It so entranced her that she could think of nothing
else.

{}``Oh, you darling, oh, you sweet, oh, you love!''\ she cried.

Perhaps a human voice frightened the little house, or maybe it now
knew that its work was done, for no sooner had Maimie spoken than
it began to grow smaller; it shrank so slowly that she could scarce
believe it was shrinking, yet she soon knew that it could not contain
her now. It always remained as complete as ever, but it became smaller
and smaller, and the garden dwindled at the same time, and the snow
crept closer, lapping house and garden up. Now the house was the size
of a little dog's kennel, and now of a Noah's Ark, but still you could
see the smoke and the door-handle and the roses on the wall, every
one complete. The glow-worm light was waning too, but it was still
there. {}``Darling, loveliest, don't go!''\ Maimie cried, falling
on her knees, for the little house was now the size of a reel of thread,
but still quite complete. But as she stretched out her arms imploringly
the snow crept up on all sides until it met itself, and where the
little house had been was now one unbroken expanse of snow.

Maimie stamped her foot naughtily, and was putting her fingers to
her eyes, when she heard a kind voice say, {}``Don't cry, pretty
human, don't cry,'' and then she turned round and saw a beautiful
little naked boy regarding her wistfully. She knew at once that he
must be Peter Pan.


\chapter*{\raggedright Lock-out Time}

\addcontentsline{toc}{chapter}{Lock-out Time}

\markboth{Peter Pan in Kensington Gardens}{Lock-out Time}

It is frightfully difficult to know much about the fairies, and almost
the only thing known for certain is that there are fairies wherever
there are children. Long ago children were forbidden the Gardens,
and at that time there was not a fairy in the place; then the children
were admitted, and the fairies came trooping in that very evening.
They can't resist following the children, but you seldom see them,
partly because they live in the daytime behind the railings, where
you are not allowed to go, and also partly because they are so cunning.
They are not a bit cunning after Lock-out, but until Lock-out, my
word!

When you were a bird you knew the fairies pretty well, and you remember
a good deal about them in your babyhood, which it is a great pity
you can't write down, for gradually you forget, and I have heard of
children who declared that they had never once seen a fairy. Very
likely if they said this in the Kensington Gardens, they were standing
looking at a fairy all the time. The reason they were cheated was
that she pretended to be something else. This is one of their best
tricks. They usually pretend to be flowers, because the court sits
in the Fairies' Basin, and there are so many flowers there, and all
along the Baby Walk, that a flower is the thing least likely to attract
attention. They dress exactly like flowers, and change with the seasons,
putting on white when lilies are in and blue for blue-bells, and so
on. They like crocus and hyacinth time best of all, as they are partial
to a bit of colour, but tulips (except white ones, which are the fairy-cradles)
they consider garish, and they sometimes put off dressing like tulips
for days, so that the beginning of the tulip weeks is almost the best
time to catch them.

When they think you are not looking they skip along pretty lively,
but if you look and they fear there is no time to hide, they stand
quite still, pretending to be flowers. Then, after you have passed
without knowing that they were fairies, they rush home and tell their
mothers they have had such an adventure. The Fairy Basin, you remember,
is all covered with ground-ivy (from which they make their castor-oil),
with flowers growing in it here and there. Most of them really are
flowers, but some of them are fairies. You never can be sure of them,
but a good plan is to walk by looking the other way, and then turn
round sharply. Another good plan, which David and I sometimes follow,
is to stare them down. After a long time they can't help winking,
and then you know for certain that they are fairies.

There are also numbers of them along the Baby Walk, which is a famous
gentle place, as spots frequented by fairies are called. Once twenty-four
of them had an extraordinary adventure. They were a girls' school
out for a walk with the governess, and all wearing hyacinth gowns,
when she suddenly put her finger to her mouth, and then they all stood
still on an empty bed and pretended to be hyacinths. Unfortunately,
what the governess had heard was two gardeners coming to plant new
flowers in that very bed. They were wheeling a handcart with flowers
in it, and were quite surprised to find the bed occupied. {}``Pity
to lift them hyacinths,'' said the one man. {}``Duke's orders,''
replied the other, and, having emptied the cart, they dug up the boarding-school
and put the poor, terrified things in it in five rows. Of course,
neither the governess nor the girls dare let on that they were fairies,
so they were carted far away to a potting-shed, out of which they
escaped in the night without their shoes, but there was a great row
about it among the parents, and the school was ruined.

As for their houses, it is no use looking for them, because they are
the exact opposite of our houses. You can see our houses by day but
you can't see them by dark. Well, you can see their houses by dark,
but you can't see them by day, for they are the colour of night, and
I never heard of anyone yet who could see night in the daytime. This
does not mean that they are black, for night has its colours just
as day has, but ever so much brighter. Their blues and reds and greens
are like ours with a light behind them. The palace is entirely built
of many-coloured glasses, and is quite the loveliest of all royal
residences, but the queen sometimes complains because the common people
will peep in to see what she is doing. They are very inquisitive folk,
and press quite hard against the glass, and that is why their noses
are mostly snubby. The streets are miles long and very twisty, and
have paths on each side made of bright worsted. The birds used to
steal the worsted for their nests, but a policeman has been appointed
to hold on at the other end.

One of the great differences between the fairies and us is that they
never do anything useful. When the first baby laughed for the first
time, his laugh broke into a million pieces, and they all went skipping
about. That was the beginning of fairies. They look tremendously busy,
you know, as if they had not a moment to spare, but if you were to
ask them what they are doing, they could not tell you in the least.
They are frightfully ignorant, and everything they do is make-believe.
They have a postman, but he never calls except at Christmas with his
little box, and though they have beautiful schools, nothing is taught
in them; the youngest child being chief person is always elected mistress,
and when she has called the roll, they all go out for a walk and never
come back. It is a very noticeable thing that, in fairy families,
the youngest is always chief person, and usually becomes a prince
or princess, and children remember this, and think it must be so among
humans also, and that is why they are often made uneasy when they
come upon their mother furtively putting new frills on the basinette.

You have probably observed that your baby-sister wants to do all sorts
of things that your mother and her nurse want her not to do: to stand
up at sitting-down time, and to sit down at standing-up time, for
instance, or to wake up when she should fall asleep, or to crawl on
the floor when she is wearing her best frock, and so on, and perhaps
you put this down to naughtiness. But it is not; it simply means that
she is doing as she has seen the fairies do; she begins by following
their ways, and it takes about two years to get her into the human
ways. Her fits of passion, which are awful to behold, and are usually
called teething, are no such thing; they are her natural exasperation,
because we don't understand her, though she is talking an intelligible
language. She is talking fairy. The reason mothers and nurses know
what her remarks mean, before other people know, as that {}``Guch''
means {}``Give it to me at once,'' while {}``Wa'' is {}``Why
do you wear such a funny hat?''\ is because, mixing so much with
babies, they have picked up a little of the fairy language.

Of late David has been thinking back hard about the fairy tongue,
with his hands clutching his temples, and he has remembered a number
of their phrases which I shall tell you some day if I don't forget.
He had heard them in the days when he was a thrush, and though I suggested
to him that perhaps it is really bird language he is remembering,
he says not, for these phrases are about fun and adventures, and the
birds talked of nothing but nest-building. He distinctly remembers
that the birds used to go from spot to spot like ladies at shop-windows,
looking at the different nests and saying, {}``Not my colour, my
dear,'' and {}``How would that do with a soft lining?''\ and {}``But
will it wear?''\ and {}``What hideous trimming!''\ and so on.

The fairies are exquisite dancers, and that is why one of the first
things the baby does is to sign to you to dance to him and then to
cry when you do it. They hold their great balls in the open air, in
what is called a fairy-ring. For weeks afterward you can see the ring
on the grass. It is not there when they begin, but they make it by
waltzing round and round. Sometimes you will find mushrooms inside
the ring, and these are fairy chairs that the servants have forgotten
to clear away. The chairs and the rings are the only tell-tale marks
these little people leave behind them, and they would remove even
these were they not so fond of dancing that they toe it till the very
moment of the opening of the gates. David and I once found a fairy-ring
quite warm.

But there is also a way of finding out about the ball before it takes
place. You know the boards which tell at what time the Gardens are
to close to-day. Well, these tricky fairies sometimes slyly change
the board on a ball night, so that it says the Gardens are to close
at six-thirty for instance, instead of at seven. This enables them
to get begun half an hour earlier.

If on such a night we could remain behind in the Gardens, as the famous
Maimie Mannering did, we might see delicious sights, hundreds of lovely
fairies hastening to the ball, the married ones wearing their wedding-rings
round their waists, the gentlemen, all in uniform, holding up the
ladies' trains, and linkmen running in front carrying winter cherries,
which are the fairy-lanterns, the cloakroom where they put on their
silver slippers and get a ticket for their wraps, the flowers streaming
up from the Baby Walk to look on, and always welcome because they
can lend a pin, the supper-table, with Queen Mab at the head of it,
and behind her chair the Lord Chamberlain, who carries a dandelion
on which he blows when Her Majesty wants to know the time.

The table-cloth varies according to the seasons, and in May it is
made of chestnut-blossom. The way the fairy-servants do is this: The
men, scores of them, climb up the trees and shake the branches, and
the blossom falls like snow. Then the lady servants sweep it together
by whisking their skirts until it is exactly like a table-cloth, and
that is how they get their table-cloth.

They have real glasses and real wine of three kinds, namely, blackthorn
wine, berberris wine, and cowslip wine, and the Queen pours out, but
the bottles are so heavy that she just pretends to pour out. There
is bread and butter to begin with, of the size of a threepenny bit;
and cakes to end with, and they are so small that they have no crumbs.
The fairies sit round on mushrooms, and at first they are very well-behaved
and always cough off the table, and so on, but after a bit they are
not so well-behaved and stick their fingers into the butter, which
is got from the roots of old trees, and the really horrid ones crawl
over the table-cloth chasing sugar or other delicacies with their
tongues. When the Queen sees them doing this she signs to the servants
to wash up and put away, and then everybody adjourns to the dance,
the Queen walking in front while the Lord Chamberlain walks behind
her, carrying two little pots, one of which contains the juice of
wall-flower and the other the juice of Solomon's Seals. Wall-flower
juice is good for reviving dancers who fall to the ground in a fit,
and Solomon's Seals juice is for bruises. They bruise very easily
and when Peter plays faster and faster they foot it till they fall
down in fits. For, as you know without my telling you, Peter Pan is
the fairies' orchestra. He sits in the middle of the ring, and they
would never dream of having a smart dance nowadays without him. {}``P.
P.'' is written on the corner of the invitation-cards sent out by
all really good families. They are grateful little people, too, and
at the princess's coming-of-age ball (they come of age on their second
birthday and have a birthday every month) they gave him the wish of
his heart.

The way it was done was this. The Queen ordered him to kneel, and
then said that for playing so beautifully she would give him the wish
of his heart. Then they all gathered round Peter to hear what was
the wish of his heart, but for a long time he hesitated, not being
certain what it was himself.

{}``If I chose to go back to mother,'' he asked at last, {}``could
you give me that wish?''\ 

Now this question vexed them, for were he to return to his mother
they should lose his music, so the Queen tilted her nose contemptuously
and said, {}``Pooh, ask for a much bigger wish than that.''

{}``Is that quite a little wish?''\ he inquired.

{}``As little as this,'' the Queen answered, putting her hands near
each other.

{}``What size is a big wish?''\ he asked.

She measured it off on her skirt and it was a very handsome length.

Then Peter reflected and said, {}``Well, then, I think I shall have
two little wishes instead of one big one.''

Of course, the fairies had to agree, though his cleverness rather
shocked them, and he said that his first wish was to go to his mother,
but with the right to return to the Gardens if he found her disappointing.
His second wish he would hold in reserve.

They tried to dissuade him, and even put obstacles in the way.

{}``I can give you the power to fly to her house,'' the Queen said,
{}``but I can't open the door for you.''

{}``The window I flew out at will be open,'' Peter said confidently.
{}``Mother always keeps it open in the hope that I may fly back.

{}``How do you know?''\ they asked, quite surprised, and, really,
Peter could not explain how he knew.

{}``I just do know,'' he said.

So as he persisted in his wish, they had to grant it. The way they
gave him power to fly was this: They all tickled him on the shoulder,
and soon he felt a funny itching in that part and then up he rose
higher and higher and flew away out of the Gardens and over the house-tops.

It was so delicious that instead of flying straight to his old home
he skimmed away over St.\ Paul's to the Crystal Palace and back by
the river and Regent's Park, and by the time he reached his mother's
window he had quite made up his mind that his second wish should be
to become a bird.

The window was wide open, just as he knew it would be, and in he fluttered,
and there was his mother lying asleep.

Peter alighted softly on the wooden rail at the foot of the bed and
had a good look at her. She lay with her head on her hand, and the
hollow in the pillow was like a nest lined with her brown wavy hair.
He remembered, though he had long forgotten it, that she always gave
her hair a holiday at night.

How sweet the frills of her night-gown were. He was very glad she
was such a pretty mother.

But she looked sad, and he knew why she looked sad. One of her arms
moved as if it wanted to go round something, and he knew what it wanted
to go round.

{}``Oh, mother,'' said Peter to himself, {}``if you just knew who
is sitting on the rail at the foot of the bed.''

Very gently he patted the little mound that her feet made, and he
could see by her face that she liked it. He knew he had but to say
{}``Mother'' ever so softly, and she would wake up. They always
wake up at once if it is you that says their name. Then she would
give such a joyous cry and squeeze him tight. How nice that would
be to him, but oh, how exquisitely delicious it would be to her. That
I am afraid is how Peter regarded it. In returning to his mother he
never doubted that he was giving her the greatest treat a woman can
have. Nothing can be more splendid, he thought, than to have a little
boy of your own. How proud of him they are; and very right and proper,
too.

But why does Peter sit so long on the rail, why does he not tell his
mother that he has come back?

I quite shrink from the truth, which is that he sat there in two minds.
Sometimes he looked longingly at his mother, and sometimes he looked
longingly at the window. Certainly it would be pleasant to be her
boy again, but, on the other hand, what times those had been in the
Gardens! Was he so sure that he would enjoy wearing clothes again?
He popped off the bed and opened some drawers to have a look at his
old garments. They were still there, but he could not remember how
you put them on. The socks, for instance, were they worn on the hands
or on the feet? He was about to try one of them on his hand, when
he had a great adventure. Perhaps the drawer had creaked; at any rate,
his mother woke up, for he heard her say {}``Peter,'' as if it was
the most lovely word in the language. He remained sitting on the floor
and held his breath, wondering how she knew that he had come back.
If she said {}``Peter'' again, he meant to cry {}``Mother'' and
run to her. But she spoke no more, she made little moans only, and
when next he peeped at her she was once more asleep, with tears on
her face.

It made Peter very miserable, and what do you think was the first
thing he did? Sitting on the rail at the foot of the bed, he played
a beautiful lullaby to his mother on his pipe. He had made it up himself
out of the way she said {}``Peter,'' and he never stopped playing
until she looked happy.

He thought this so clever of him that he could scarcely resist wakening
her to hear her say, {}``Oh, Peter, how exquisitely you play.''
However, as she now seemed comfortable, he again cast looks at the
window. You must not think that he meditated flying away and never
coming back. He had quite decided to be his mother's boy, but hesitated
about beginning to-night. It was the second wish which troubled him.
He no longer meant to make it a wish to be a bird, but not to ask
for a second wish seemed wasteful, and, of course, he could not ask
for it without returning to the fairies. Also, if he put off asking
for his wish too long it might go bad. He asked himself if he had
not been hard-hearted to fly away without saying good-bye to Solomon.
{}``I should like awfully to sail in my boat just once more,'' he
said wistfully to his sleeping mother. He quite argued with her as
if she could hear him. {}``It would be so splendid to tell the birds
of this adventure,'' he said coaxingly. {}``I promise to come back,''
he said solemnly and meant it, too.

And in the end, you know, he flew away. Twice he came back from the
window, wanting to kiss his mother, but he feared the delight of it
might waken her, so at last he played her a lovely kiss on his pipe,
and then he flew back to the Gardens.

Many nights and even months passed before he asked the fairies for
his second wish; and I am not sure that I quite know why he delayed
so long. One reason was that he had so many good-byes to say, not
only to his particular friends, but to a hundred favourite spots.
Then he had his last sail, and his very last sail, and his last sail
of all, and so on. Again, a number of farewell feasts were given in
his honour; and another comfortable reason was that, after all, there
was no hurry, for his mother would never weary of waiting for him.
This last reason displeased old Solomon, for it was an encouragement
to the birds to procrastinate. Solomon had several excellent mottoes
for keeping them at their work, such as {}``Never put off laying
to-day, because you can lay to-morrow,'' and {}``In this world there
are no second chances,'' and yet here was Peter gaily putting off
and none the worse for it. The birds pointed this out to each other,
and fell into lazy habits.

But, mind you, though Peter was so slow in going back to his mother,
he was quite decided to go back. The best proof of this was his caution
with the fairies. They were most anxious that he should remain in
the Gardens to play to them, and to bring this to pass they tried
to trick him into making such a remark as {}``I wish the grass was
not so wet,'' and some of them danced out of time in the hope that
he might cry, {}``I do wish you would keep time!''\ Then they would
have said that this was his second wish. But he smoked their design,
and though on occasions he began, {}``I wish\mbox{---}'' he always
stopped in time. So when at last he said to them bravely, {}``I wish
now to go back to mother for ever and always,'' they had to tickle
his shoulder and let him go.

He went in a hurry in the end because he had dreamt that his mother
was crying, and he knew what was the great thing she cried for, and
that a hug from her splendid Peter would quickly make her to smile.
Oh, he felt sure of it, and so eager was he to be nestling in her
arms that this time he flew straight to the window, which was always
to be open for him.

But the window was closed, and there were iron bars on it, and peering
inside he saw his mother sleeping peacefully with her arm round another
little boy.

Peter called, {}``Mother!\ mother!''\ but she heard him not; in
vain he beat his little limbs against the iron bars. He had to fly
back, sobbing, to the Gardens, and he never saw his dear again. What
a glorious boy he had meant to be to her. Ah, Peter, we who have made
the great mistake, how differently we should all act at the second
chance. But Solomon was right; there is no second chance, not for
most of us. When we reach the window it is Lock-out Time. The iron
bars are up for life. 
\end{document}
